Narrative nonfiction is the craft of telling a story using only true events. That sounds like boxing with one hand tied behind your back. It isn’t. If you have a story, the true events are essential to that narrative. Using them to bring the beginning, middle, and end to life becomes an exercise in finding just the right details. Throughout the process, you know that when you do, the reader will be that much more involved in what you have to say. Continue reading
I’m beginning a series of posts that will cover writing nonfiction, narrative nonfiction, and long form narrative; finding a topic; uncovering the story in your notes; the craft of nonfiction; and topics related to writing nonfiction.
The posts will be based upon my study and experience in this exciting – yes, exciting! – area of writing. It will also be based upon the feedback and questions I’ve received from my students in the workshops I teach at The Writer’s Center, as well as in the writing classes and webinars I offer online.
I’ll make the post titles descriptive, as well as the tags, so you’ll be able to tell and find the posts that interest you. If you have any questions, or comments, or just want to weigh in, please use this form. Thanks! ~Gina
Narrative Nonfiction is a terrific way to combine true events with the facts that expand and explicate those events. As long as you accurately relate the facts, you are free to use them in a narrative. That sounds easy enough, but the truth is that you will often have a pile of — facts. How those facts are going to make a story anyone wants to read, let along a story faced on the truth, is not necessarily clear.
You could know precisely what you want to say and how you want to say it before you begin your research/reporting. In my experience, that generally ends in a stiff piece because you need to get the interviewees and facts to line up with what you want to say. It may be that you want to say something you can’t support.
You could just start interviewing everyone you can think of and see where it leads. That sort of fishing expedition often leaves you going back for a second round of interviews – actually two additional rounds, since you were overly generally in the first interview; every specific in the second; and now need some sense of this person, which you’ll gain through the third.
You could start by writing what you already know in an informal sort of list meant for your eyes only. You could then list the things you know you don’t know, along with why you think they might be important. You could also read whatever you can find as background material before selecting your interview candidates. You could then do a far-reaching and thorough interview that will hold up in 99% of circumstances.
The latter is the one I strive for, yet even with that, I wind up with a ton of research and branches I hadn’t anticipated – which is a good thing. Because of this, I pick a topic and then keep an open mind about the “way in.” Continue reading
Narrative Nonfiction is a type of nonfiction in which narrative techniques are used to tell a story with the facts. This type of nonfiction differs from a straight report or news story because it does more than relay the facts; it creates the full context around those facts by using facts.
Sounds like a lot of facts. In fact, it may even sound deadly boring. It’s anything but. Continue reading
So how do you start? Do you sit down and start writing or do you do some planning? How much planning? What type of planning?
It seems that writing nonfiction should be easy. It’s based on facts. What’s the problem? This happened and then this happened and then this happened. You just need to tell it like it was. Except it’s never that easy because there is always so much that happened.
There are several ways to get started, so this time we’ll talk about the Timeline Approach: Continue reading
As I said, all my sulking was making me not like myself very much, so I got to work. I got out the articles that could have been mine – at least in my own mind! I examined the way in on the articles that worked and learned some new things while rediscovering some things I knew but hadn’t seen how to apply. It all goes something like this: Continue reading
Call it the angle. Call it the clothesline that will support your information. Call it whatever you want. It’s the organizing idea of a piece of writing. I call it finding the way in and to me, it’s the most difficult part of writing. To be honest, there are times when I just can’t find it. I can live with that. At least I can until I see an article on a topic I wanted to write about. Suddenly the way in is so obvious! Even if it’s not a way I would have chosen, I can see that it works. And the worst part of that moment is that at least five other ways flash into my mind in what can only be called a bleem. If you’re a writer, you’ve surely had this disheartening experience.